| Contents |
Political synopsis -- Spanish orthography -- Ancient and medieval beginnings. Iberian music in antiquity ; Isidore of Seville (c. 570-636): "Father" of Hispanic music ; Isidore's sources ; Musical instruments mentioned in the etymologies ; Isidore's references to "Contemporary" practices ; Music in the Visigothic church (589-711) ; Mozarabic music (711-1089) ; The antiphoner of León (1069) ; Music in Mohammedan Spain (712-1492) ; The Cantigas of Alfonso X ; Thirteenth-century secular monody ; The beginnings of polyphony in the Spanish peninsula ; Llibre Vermell ; Nascent "Spanish" style ; Instruments in fourteenth-century usage ; Music and learning in medieval Christian Spain -- Foundations of Spanish musical theory: 1410-1535. Vernacular versus Latin treatises ; Fernand Estevan (fl. 1410) ; Ars mensurabilis et immensurabilis cantus (c. 1480) ; Bartolomé Ramos de Pareja (fl. 1482) ; Domingo Marcos Durán (fl. 1492) ; Guillermo Despuig (fl. 1495) ; Cristóbal de Escobar (fl. 1498) ; Alonso Spanon (fl. 1500) ; Diego del Puerto (fl. 1504) ; Bartolomé de Molina (fl. 1506) ; Gonzalo Martínez de Bizcargui (fl. 1508) ; Francisco Tovar (fl. 1510) ; Juan de Espinosa (fl. 1514) ; Gaspar de Aguilar (fl. 1530) ; Juan Martínez (fl. 1532) ; Matheo de Aranda (fl. 1533) -- Liturgical music: 1470-1530. Early liturgical imprints containing music ; Missale Caesaraugustanum (Saragossa, 1485) ; Missale Oscense (Saragossa, 1488) ; Antiphonarium et graduale ad usum ordinis S. Hieronymi (Seville, 1491) ; Processionarium ordinis praedicatorum (Seville, 1494) ; Manuale Toletanum (Seville, 1494) ; Missale Auriense (Monterrey, 1494) ; Missale Caesaraugustanum (Sargossa, 1498) ; Missale Toletanum (Toledo, 1499) ; Missale Giennense (Seville, 1499) ; Missale Tarraconense (Tarragona, 1499) and Benedictum (Montserrat, 1499) ; Processionarium ordinis S. Benedicti (Montserrat, 1500) ; Hymnorum Intonationes (Montserrat, 1500) ; Missale Abulense (Salamanca, 1500) ; Musical variants in Spanish liturgical incunabula (Roman rite) ; Missale Mozarabe (Toledo, 1500) -- Cathedral polyphony in the fifteenth century. Johannes cornago (fl. 1466) ; Bernardo Icart (fl. 1480) ; Johannes de Yllianas (fl. 1492) ; Juan de Anchieta (c. 1462-1523) ; Francisco de Penalosa (c. 1470-1528) ; Other composers of liturgical music ; Juan Almorox (fl. 1485) ; Alonso de Alva (d. 1504) ; Pedro Díaz (fl. 1484) ; Pedro de Escobar (fl. 1507) ; Juan Escribano (d. 1557) ; Pedro Fernández (de Castilleja) (d. 1574) ; Juan Illario ; (Juan Fernández de) Madrid (fl. 1479) ; Antonio Marlet (fl. 1506) ; (Fernand Pérez de) Medina (fl. 1479) ; Alonso de Mondéjar (fl. 1502) ; (Pietro) Oriola ; Alonso de la Plaja ; Juan Ponce (fl. 1510) ; Quixada ; Antonio de Ribera (fl. 1514) ; Martín de Rivafrecha (d. 1528) ; Juan de Sanabria ; Juan de Segovia ; (Alonso Hernández de) Tordesillas (fl. 1502) ; Francisco de la Torre (fl. 1483) ; (Juan de) Triana (fl. 1478) -- Secular polyphony during the reigns of Ferdinand and Isabella. Peninsular sources ; Manuscript and printed sources of foreign provenience ; "Versos fechos en loor del Condestable" (1466) ; Cancionero de la Biblioteca Colombina ; J. de Triana ; J. Corngo ; J. Urrede ; Belmonte ; Enrique ; (Juan Pérez de) Gijón (fl. 1480) ; Hurtado de Xeres ; Juanes ; Pedro de Lagarto (fl. 1490) ; J. de León ; Juan Fernández de Madrid ; Moxica ; J. Rodríguez ; F. de la Torre ; Anonymous Spanish songs in the Colombina Cancionero -- Cancionero Musical de Palacio. Composers in the palace songbook ; Juan del Encina (1469-1529) ; Francisco Millán (fl. 1501) ; Gabriel (Mena) (fl. 1511) ; Pedro de Escobar ; F. de la Torre ; J. Ponce ; Other composers in the Cancionero Musical de Palacio ; Anonymous Spanish songs in the palace songbook ; Concluding remarks concerning the palace songbook. |
